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DOCUMENT

Cannes Film Festival

By Kieron Corless

INTERVIEW

Future Cinema: Pictures that Talk, Sing and Dance

By Peter Fraser

INTERVIEW

As I See You You See Me

By Julian Ross

Dog Day Afternoon

VHS in off-World: Videograms of a Revolution

“Useful” Women: Advertising and Information Films from the Archive

John Smith: Introspective (1972-2022)

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

By Patricia Duncker

MANIFESTO

The Cinematic Guerrilla (aka ‘the blind dialectic of vision’)

By the Celluloid Liberation Front

REVIEW

Situationism Now

By David Pinder

REVIEW

Future Cinema & Trafic 50

By Chris Darke

ESSAY

The Last Words of Antonin Artaud

By Stephen Barber

ESSAY

"I am playing leapfrog with myself"

By Jürgen E. Müller

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DOCUMENT

Cannes Film Festival

INTERVIEW

Future Cinema: Pictures that Talk, Sing and Dance

INTERVIEW

As I See You You See Me

Dog Day Afternoon

VHS in off-World: Videograms of a Revolution

“Useful” Women: Advertising and Information Films from the Archive

John Smith: Introspective (1972-2022)

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

MANIFESTO

The Cinematic Guerrilla (aka ‘the blind dialectic of vision’)

REVIEW

Situationism Now

REVIEW

Future Cinema & Trafic 50

ESSAY

The Last Words of Antonin Artaud

ESSAY

"I am playing leapfrog with myself"

Essential Cinema IX

Close-Up on Michael Haneke