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REVIEW
The Main Course
By
the Celluloid Liberation Front
Take Two: Zero for Conduct / The 400 Blows
ESSAY
The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art
By
David Brancaleone
INTERVIEW
Nostalgia for the Light
By
Nerina Moris
INTERVIEW
For Cannes or Abidjan?
By
Holly Aylett
ESSAY
24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde
By
Juliet Jacques
ARTICLE
Signal Fires at the Crossroads
By
Jem Cohen
ARTICLE
Doomed L’Amour de la Mer
By
Robert Chilcott
ARTICLE
Building Bridges
By
Peter Loizos
ARTICLE
Feel the South: A Report from Granada and Beyond
By
Pepe Petos
ARTICLE
Writing Red Riding
By
Tony Grisoni
ARTICLE
BFI Films: A Remit for Cultural Diversity
By
Jane Giles
SCRIPT
Cogels-Osylei
By
Nicholas Royle
John Smith: Introspective (1972-2022)
ESSAY
“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling
By
Corin Depper
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