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ARTICLE
A Quiet Evening at Home: Desert Strike
By
David Fox
ESSAY
Dissident Surrealism
By
Michael Eaton
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
Two Views of Cannes: Virginia Heath, Goes to the Market
By
Virginia Heath
ARTICLE
Dash this Weekly Reckoning Up!
By
Rosy Rockets
ARTICLE
A Way of Not Losing Heart: Independent Image-making in Occupied Iraq
By
Maysoon Pachachi
ARTICLE
Amytis Yearns for Ecbatana: Field Recordings from the Hanging Gardens of Babylon
By
Vaughan Pilikian
ARTICLE
Oberhausen 2009
By
Adam Pugh
ARTICLE
My Grandfather’s House
By
James Leahy
ARTICLE
Story of I
By
Kimberley Cooper
ARTICLE
Modern Ruin: The Future is Already Here
By
Grant Gee
ESSAY
Empires of Tin
By
Jem Cohen
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
SCRIPT
Cogels-Osylei
By
Nicholas Royle
ARTICLE
Naked City
By
Asa Jordan
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