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London Recorder: William English / Emily Richardson / John Rogers / Andrew Vallance
ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
The Saragossa Manuscript
The Early Films of Peter Greenaway: The Falls Part 2 + Shorts
ESSAY
From First Principles: A Prehistory of the Slade Film Department
By
Henry K. Miller
Histoire(s) du cinéma
DOCUMENT
The Quay Brothers Dictionary
By
Michael Brooke
Dahomey
ARTICLE
Putting on the Red Shoes: A Tango with the Camera
By
Sophie Mayer
Hallelujah the Hills
ARTICLE
Letter from Ouagadougou: On Fespaco’s Fringe
By
Graeme McElheran
The Liberated Film Club: Oliver Bancroft
A Confucian Confusion
ARTICLE
Aesthetic Ecstasy and Truth
By
John Bradburn
ARTICLE
The Great Escape
By
Julian Petley
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