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ARTICLE

Dancing at the Crossroads

By Sue Clayton

SCRIPT

These Are The Times: Episodes from a Life of Thomas Paine

By Trevor Griffiths

ARTICLE

Filming in Hot Sun: Kenya, Kibera and the Power of the Image

By Piotr Cieplak

ARTICLE

We Do the Real Thing

By Christopher Roth

ARTICLE

Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan

By Go Hirasawa

Nippon Year Zero: Japanese Experimental Films from the 1960s-1970s

ARTICLE

Regeneration? Part II: The Lux Centre: Eastward Ho!

By Sarah Turner

POEM

Hideyhole and the Innersanctum

By Andrew Kötting

INTERVIEW

From the Beats to the Beastly

By Jay Clifton

ESSAY

The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art

By David Brancaleone

INTERVIEW

Binka: To Tell a Story About Silence

By Sean Kaye-Smith

ESSAY

Trailer for Godard's Histoire(s) du Cinema

By Jonathan Rosenbaum

QUESTION AND ANSWER

Altman Took Me Gambling

By Robert Chilcott

ARTICLE

“The skin, the aging, the imperfection, the colour, the beauty”

By Sophie Mayer

Related Items

ARTICLE

Dancing at the Crossroads

SCRIPT

These Are The Times: Episodes from a Life of Thomas Paine

ARTICLE

Filming in Hot Sun: Kenya, Kibera and the Power of the Image

ARTICLE

We Do the Real Thing

ARTICLE

Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan

Nippon Year Zero: Japanese Experimental Films from the 1960s-1970s

ARTICLE

Regeneration? Part II: The Lux Centre: Eastward Ho!

POEM

Hideyhole and the Innersanctum

INTERVIEW

From the Beats to the Beastly

ESSAY

The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art

INTERVIEW

Binka: To Tell a Story About Silence

ESSAY

Trailer for Godard's Histoire(s) du Cinema

QUESTION AND ANSWER

Altman Took Me Gambling

ARTICLE

“The skin, the aging, the imperfection, the colour, the beauty”

Histoire(s) du cinéma