Archives

By Julian Ross

Abstraction vs. Representation

ARTICLE

The Art of Destruction: The Films of the Vienna Action Group

By Stephen Barber

Nippon Year Zero: Japanese Experimental Films from the 1960s-1970s

pic.london festival

Studies in Movement: Experiments by Three Filmmakers

ESSAY

Revolt of the Body

By Stephen Barber

ARTICLE

Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan

By Go Hirasawa

ESSAY

Scénario du Film Passion: Writing Video at the End of Cinema

By Duncan White

ARTICLE

Glitter and Grime

By LK Sharma

ARTICLE

Whither the Avant-Garde: The ICA Biennial

By Chris Petit

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

By Patricia Duncker

ARTICLE

Real Lives: Camcorder Cults

By Jon Dovey

ARTICLE

A New Way Must Be Seen

By Sukhdev Sandhu

Related Items

Theatre Scorpio: Japanese Independent and Experimental Cinema of the 1960s

INTERVIEW

As I See You You See Me

Abstraction vs. Representation

ARTICLE

The Art of Destruction: The Films of the Vienna Action Group

Nippon Year Zero: Japanese Experimental Films from the 1960s-1970s

pic.london festival

Studies in Movement: Experiments by Three Filmmakers

ESSAY

Revolt of the Body

ARTICLE

Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan

ESSAY

Scénario du Film Passion: Writing Video at the End of Cinema

ARTICLE

Glitter and Grime

ARTICLE

Whither the Avant-Garde: The ICA Biennial

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

ARTICLE

Real Lives: Camcorder Cults

ARTICLE

A New Way Must Be Seen