Archives

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

John Smith: Introspective Programme 6 (1998-2003)

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

By Patricia Duncker

Le petit soldat

REVIEW

Gallivant II

By Margaret Dickinson

Al-Mumia: The Night of Counting the Years

ARTICLE

Real Lives: Italian People Shows

By Rita Crisci

Trouble + Scenes of Extraction

Never on Sunday

INTERVIEW

Everywhere Is Different and Everywhere Is the Same: Frederick Wiseman and the Making of the World

By Robert Chilcott

Close-Up on Maya Deren

ARTICLE

Impossible Cinema

By Robert Barry

Rear Window

ESSAY

Broken Trust of the Image

By Dai Vaughan

Related Items

ARTICLE

Why and for Whom Do We Film Today?

John Smith: Introspective Programme 6 (1998-2003)

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

Le petit soldat

REVIEW

Gallivant II

Al-Mumia: The Night of Counting the Years

ARTICLE

Real Lives: Italian People Shows

Trouble + Scenes of Extraction

Never on Sunday

INTERVIEW

Everywhere Is Different and Everywhere Is the Same: Frederick Wiseman and the Making of the World

Close-Up on Maya Deren

ARTICLE

Impossible Cinema

Rear Window

ESSAY

Broken Trust of the Image

The Early Films of Peter Greenaway: Vertical Features Remake + A Walk Through H