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Filmfarsi
Filmfarsi
The Batwoman
Never on Sunday
Monisme
Innocence Unprotected: Reframing the World through Yugoslav Cinema
The Dupes
LETTER
Dear Commissioning Editor: 10 Years of Channel 4
By
Anne Cottringer
ARTICLE
Visionary Storytelling: Edgar Reitz’s Die Zweite Heimat
By
John Mepham
ARTICLE
Cuban Cinema On and Off the Screen
By
Enrique Colina
ARTICLE
‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel
By
Patricia Duncker
ARTICLE
A Shrug of the Shoulders: Marcel L’Herbier’s L’Argent
By
Graeme Hobbs
ARTICLE
Writing as Magic in London in Its Summer: Iain Sinclair and the Crafting of Place
By
Kathy Acker
ARTICLE
I Like the FID and the FID Likes Me
By
Celluloid Liberation Front
ARTICLE
Arden / Bond / Sound / Vision
By
Sean Kaye-Smith
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