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Close-Up on Nuri Bilge Ceylan
Three Times
ARTICLE
How Iran's 'filmfarsi' Remains the Biggest Secret in Cinema History
By
Ehsan Khoshbakht
Take Two: Marianne of My Youth / Madhumati
ARTICLE
Last Thoughts; Birth of a Journal
By
Serge Daney
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
New Technology: The Human V-Chip
By
Anna Karlin and Alexis Karlin
ARTICLE
Godard's Sons: Why Are they all Bastards?
By
Laurence Remila
ARTICLE
Black Square, White Square
By
Jacquetta May
ESSAY
The Empire’s New Clothes: Sally Potter’s RAGE
By
Sophie Mayer
ARTICLE
The Man from London: Notes after the Event
By
Dai Vaughan
INTERVIEW
A Quiet Chaos
By
James Norton
ARTICLE
The Gang that Can't Shoot Straight
By
Brian Robinson and Lucinda Henderson
ARTICLE
In Memoriam
By
Nick Bradshaw
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
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