Archives

By Anne Cottringer

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

ARTICLE

The Mind's Eye: Chris Marker Level Five

By Allan Francovich

INTERVIEW

The Dardenne Brothers

By Robert Chilcott

ARTICLE

Iranian Impromptu

By Jack McNamara

ARTICLE

Tall Stories, Bottom Lines

By Ben Woolford

INTERVIEW

Standing on Earth

By Kieron Corless

London Overground: A Day’s Walk Around the Ginger Line Book Launch

Take Two: Ordet / Theorem

Scenes from a Marriage

ESSAY

Kira Muratova’s Searing World

By Elena Gorfinkel

ARTICLE

Future of the BFI: Moving Towards the Millennium... Visual Culture in the Digital Age

By Graham Murdoch

ARTICLE

A New Way Must Be Seen

By Sukhdev Sandhu

ARTICLE

BFI Films: A Remit for Cultural Diversity

By Jane Giles

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Why and for Whom Do We Film Today?

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The Mind's Eye: Chris Marker Level Five

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The Dardenne Brothers

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Iranian Impromptu

ARTICLE

Tall Stories, Bottom Lines

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Standing on Earth

London Overground: A Day’s Walk Around the Ginger Line Book Launch

Take Two: Ordet / Theorem

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ESSAY

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Future of the BFI: Moving Towards the Millennium... Visual Culture in the Digital Age

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A New Way Must Be Seen

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BFI Films: A Remit for Cultural Diversity