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By Margaret Dickinson

A Brighter Summer Day

INTERVIEW

Interview with Chris Marker

By Dolores Walfisch

Magic in Marimekko: Dick Arnall, Animate and the Manipulated Moving Image

REVIEW

Rabbit Unrest

By Joy Damousi

Edge of Frame: Collision #1

ARTICLE

Optimism at Point of No Return: Dan Walwin and the Implications of Landscape

By Gareth Evans

ARTICLE

In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema

By Chris Petit

ARTICLE

Free Cinema Edgware Road

By James Norton

QUESTION AND ANSWER

Altman Took Me Gambling

By Robert Chilcott

ARTICLE

Don’t Let the Bastards Grind You Down!

By Michael Dampier

ARTICLE

Transitions: Cinema and Video Art from Georgia

By James Norton

ESSAY

U.S. and Them: I’m Not There and American Surrealism

By Jerry White

ARTICLE

Against the Poverty of the World: Viktor Shklovsky and the Critical Mass

By James Norton

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Close-Up on Maya Deren Programme 2

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Claiming the Real: The Documentary Film Revisited by Brian Winston

A Brighter Summer Day

INTERVIEW

Interview with Chris Marker

Magic in Marimekko: Dick Arnall, Animate and the Manipulated Moving Image

REVIEW

Rabbit Unrest

Edge of Frame: Collision #1

ARTICLE

Optimism at Point of No Return: Dan Walwin and the Implications of Landscape

ARTICLE

In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema

ARTICLE

Free Cinema Edgware Road

QUESTION AND ANSWER

Altman Took Me Gambling

ARTICLE

Don’t Let the Bastards Grind You Down!

ARTICLE

Transitions: Cinema and Video Art from Georgia

ESSAY

U.S. and Them: I’m Not There and American Surrealism

ARTICLE

Against the Poverty of the World: Viktor Shklovsky and the Critical Mass