Archives

By Rod Stoneman

ARTICLE

Who's to Say What We Should and Shouldn't See?

By Margaret Dickinson and Simon Reynell

ARTICLE

In the Name of the Father

By David Pallister

ARTICLE

Future of the BFI: Grandeur and Misery of Film Culture

By Geoffrey Nowell-Smith

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

By Patricia Duncker

OBITUARY

Tribute: Tony Kirkhope

By Marc Karlin

ESSAY

In the Perceptible Field

By Catherine Elwes

INTERVIEW

Observer/Observed: An Interview with Takahiko Iimura

By Damien Sanville

ARTICLE

London: No Time for Contradiction

By Mike Phillips

EDITORIAL

Volume 4 - Issue 2 - Resistance is Fertile: The Independent Image

By John Jordan

ESSAY

On the Quays’ Side: The Comb (from The Museums of Sleep)

By Claire Kitson

ESSAY

Empires of Tin

By Jem Cohen

ARTICLE

Holding Patterns and Long Tails: Benten Films and the Distribution of the Future

By Ben Slater

ARTICLE

Now I Know Why I Did It!

By Alan Fountain

Related Items

Experiments From the 60s Avant-Garde in Taiwan and Hong Kong

ARTICLE

Love, Music, Compromise: the Pop Promo

ARTICLE

Who's to Say What We Should and Shouldn't See?

ARTICLE

In the Name of the Father

ARTICLE

Future of the BFI: Grandeur and Misery of Film Culture

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

OBITUARY

Tribute: Tony Kirkhope

ESSAY

In the Perceptible Field

INTERVIEW

Observer/Observed: An Interview with Takahiko Iimura

ARTICLE

London: No Time for Contradiction

EDITORIAL

Volume 4 - Issue 2 - Resistance is Fertile: The Independent Image

ESSAY

On the Quays’ Side: The Comb (from The Museums of Sleep)

ESSAY

Empires of Tin

ARTICLE

Holding Patterns and Long Tails: Benten Films and the Distribution of the Future

ARTICLE

Now I Know Why I Did It!