Archives

By Alan Fountain and Marc Karlin

MANIFESTO

The Cambridge Document

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

By Ágnes Pethő

ARTICLE

Future of the BFI: The BFI which Will Be 67 in the Year 2000

By Michael Chanan and Julian Petley

ESSAY

Silence Explains Nothing

By Stefan Grissemann

INTERVIEW

State of Weightlessness

By Michael Garrad

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

By Patricia Duncker

VIDEO

Bite the Beast

By Alongkot, Pamela Jahn

ARTICLE

Vertigo Café: 'Screen Griots' African Cinema in London

By Michael Chanan

Close-Up on Andrei Tarkovsky

ARTICLE

Gallivant I

By Kimberley Cooper

Seeing/Hearing/Speaking: The Films of Takahiko Iimura + Live Performance

ARTICLE

I Wanted a Girl so she Could Give me a Hand

By Rosy Rockets

Related Items

ARTICLE

Come to the edge

INTERVIEW

Interview with Shadow Heritage Minister Chris Smith

MANIFESTO

The Cambridge Document

ARTICLE

Why and for Whom Do We Film Today?

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

ARTICLE

Future of the BFI: The BFI which Will Be 67 in the Year 2000

ESSAY

Silence Explains Nothing

INTERVIEW

State of Weightlessness

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

VIDEO

Bite the Beast

ARTICLE

Vertigo Café: 'Screen Griots' African Cinema in London

Close-Up on Andrei Tarkovsky

ARTICLE

Gallivant I

Seeing/Hearing/Speaking: The Films of Takahiko Iimura + Live Performance

ARTICLE

I Wanted a Girl so she Could Give me a Hand