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ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

By Patricia Duncker

Los Golfos

ARTICLE

Ann Course and Paul Clark Tell us What they Like and Why…

By Ann Course, Paul Clark

ARTICLE

Vertigo Café: Illuminating Cinematography

By Cathy Greenhalgh

Hortensia/Beancé

ESSAY

The Negation of Cinema: Some Brief Notes on Letterist Cinema 1950 - 1952

By Louis Benassi

ARTICLE

Godard's Sons: Why Are they all Bastards?

By Laurence Remila

Essential Cinema

REVIEW

Dreyer

By David Rudkin

AUDIO

Shanghai Frolic

By Andrew Kötting

Edge of Frame: After Images

EDITORIAL

Volume 4 - Issue 3 - These Are the Times: The Images on the Thresold

By Vertigo

Araya

ARTICLE

Hotel Diaries: John Smith Makes Room for Reflection

By Ian Christie

Related Items

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

Los Golfos

ARTICLE

Ann Course and Paul Clark Tell us What they Like and Why…

ARTICLE

Vertigo Café: Illuminating Cinematography

Hortensia/Beancé

ESSAY

The Negation of Cinema: Some Brief Notes on Letterist Cinema 1950 - 1952

ARTICLE

Godard's Sons: Why Are they all Bastards?

Essential Cinema

REVIEW

Dreyer

AUDIO

Shanghai Frolic

Edge of Frame: After Images

EDITORIAL

Volume 4 - Issue 3 - These Are the Times: The Images on the Thresold

Araya

ARTICLE

Hotel Diaries: John Smith Makes Room for Reflection

Histoire(s) du cinéma