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ESSAY
It's Not Blood, It's Red: Colour(s) of Jean-Luc Godard
By
Robert Barry
The Bodyguard
Julius-Amédée Laou: Short, Sharp Shocks
ARTICLE
Kate Adams: Feeling and Knowing
By
Catherine Elwes
ARTICLE
Nothing Is True. Everything Is Permissible.
By
John Bradburn
ARTICLE
Partition
By
Sean Kaye-Smith
Fear Eats the Soul
ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
REVIEW
A Cut Above
By
Catherine Elwes
BIOGRAPHY
Remembering Margaret Tait (1918-1999)
By
Annabel Nicolson, Peter Todd, Ute Aurand, Sarah Wood
ARTICLE
Fatherlands: On Mahamat-Saleh Haroun, Africa and an Evolving Political Cinema
By
Jerry White
Histoire(s) du cinéma
ARTICLE
Making the Political Personal
By
Owen Armstrong
ARTICLE
(Un)real Versions of Experience
By
Metin Alsanjak
REVIEW
Fresh Air in Ukraine
By
Steven Yates
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