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By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

John Smith: Introspective Programme 9 (2012-21)

ARTICLE

New Technology: Two or Three Things I Know about 'Media Effects'

By Julian Petley

In Focus: Mary Helena Clark 3

ARTICLE

Vertigo Café: 'Screen Griots' African Cinema in London

By Michael Chanan

Absent Forces: The Politics of the Eerie in English Rural Moving Image

REVIEW

Gallivant II

By Margaret Dickinson

Textile Cinema: Amy Dickson, Jennifer Nightingale and Mary Stark

ARTICLE

Maggid Street: Hackney and the Alchemical Impulse

By Iain Sinclair

Listen With Your Eyes 2: Experimental Films for Families

ARTICLE

Sleep Furiously

By Graeme Hobbs

After Gutta Percha: on Lab Laba Laba & Karel Doing

SCRIPT

These Are The Times: Episodes from a Life of Thomas Paine

By Trevor Griffiths

ESSAY

Blind Spot: Judy Price and Metaphors of Vision in Israel and Palestine

By Lucy Reynolds

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Tsuchimoto Noriaki: Film Is a Work of Living Beings

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Why and for Whom Do We Film Today?

John Smith: Introspective Programme 9 (2012-21)

ARTICLE

New Technology: Two or Three Things I Know about 'Media Effects'

In Focus: Mary Helena Clark 3

ARTICLE

Vertigo Café: 'Screen Griots' African Cinema in London

Absent Forces: The Politics of the Eerie in English Rural Moving Image

REVIEW

Gallivant II

Textile Cinema: Amy Dickson, Jennifer Nightingale and Mary Stark

ARTICLE

Maggid Street: Hackney and the Alchemical Impulse

Listen With Your Eyes 2: Experimental Films for Families

ARTICLE

Sleep Furiously

After Gutta Percha: on Lab Laba Laba & Karel Doing

SCRIPT

These Are The Times: Episodes from a Life of Thomas Paine

ESSAY

Blind Spot: Judy Price and Metaphors of Vision in Israel and Palestine