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By Dalia Neis

Islands of Fire: The Cinema of Vittorio De Seta

Side-Splitting

ARTICLE

Who's to Say What We Should and Shouldn't See?

By Margaret Dickinson and Simon Reynell

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

By Patricia Duncker

QUESTION AND ANSWER

Altman Took Me Gambling

By Robert Chilcott

INTERVIEW

Arctic Dreams: Asif Kapadia, Far North and the Possibilities of Cinema

By Gareth Evans

ARTICLE

Tall Stories, Bottom Lines

By Ben Woolford

ARTICLE

Britdoc 06

By Hannah Patterson

INTERVIEW

Talking Movies: An Interview with Asif Kapadia

By Jason Wood

INTERVIEW

Berlin, Spain

By Jone Karres Azurmendi

ESSAY

Revolutionary Space: The Situationist Excursions of 1968

By David Pinder

REVIEW

Genteel, Accessible, Revolutionary

By Roger Luckhurst

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Islands of Fire: The Cinema of Vittorio De Seta

Side-Splitting

ARTICLE

Who's to Say What We Should and Shouldn't See?

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

QUESTION AND ANSWER

Altman Took Me Gambling

INTERVIEW

Arctic Dreams: Asif Kapadia, Far North and the Possibilities of Cinema

ARTICLE

Tall Stories, Bottom Lines

ARTICLE

Britdoc 06

INTERVIEW

Talking Movies: An Interview with Asif Kapadia

INTERVIEW

Berlin, Spain

ESSAY

Revolutionary Space: The Situationist Excursions of 1968

REVIEW

Genteel, Accessible, Revolutionary