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Frans Zwartjes: Masterpiece
Jürgen Böttcher: A New Way of Seeing
Edge of Frame: Potamkin
Three Colours: Blue
Au Contraire: Jean-Luc Godard
Kieślowski’s Three Colours
Zama
Grandma’s Grammar: Memory’s Hands
Close-Up on Chantal Akerman
Ash Is Purest White
ESSAY
The Double Morality of Cinema
By
Julio Garcia Espinosa
ARTICLE
Back from the Future
By
Ken McMullen
REVIEW
Paulo Antonio Paranagua, Mexican Cinema
By
Rob Rix
ARTICLE
Joined-up Reading: The Problem of Subtitles
By
Jane Giles
ARTICLE
Writing as Magic in London in Its Summer: Iain Sinclair and the Crafting of Place
By
Kathy Acker
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