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Julius-Amédée Laou: Short, Sharp Shocks
Black Orpheus
F for Fake
The Conversation
ARTICLE
African Cinema: Addressee
By
Rod Stoneman
ARTICLE
Coining the Right Phrase: Reflections on Last Autumn’s CBI/BFT Conference
By
Holly Aylett
ARTICLE
Future of the BFI: Grandeur and Misery of Film Culture
By
Geoffrey Nowell-Smith
ARTICLE
Godard's Sons: Why Are they all Bastards?
By
Laurence Remila
ESSAY
The Empire’s New Clothes: Sally Potter’s RAGE
By
Sophie Mayer
ARTICLE
I Like the FID and the FID Likes Me
By
Celluloid Liberation Front
ARTICLE
This Spring, Leaves May Be Banned
By
Rosy Rockets
ESSAY
On the Quays’ Side: The Comb (from The Museums of Sleep)
By
Claire Kitson
ARTICLE
The Man from London
By
John Bradburn
REVIEW
The Main Course
By
the Celluloid Liberation Front
INTERVIEW
The Filmmaker that Rises to the Surface of Clarified Butter
By
George Clark and Mark A. Webber
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