Archives

By Rod Stoneman

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

ESSAY

Trailer for Godard's Histoire(s) du Cinema

By Jonathan Rosenbaum

ESSAY

In the Perceptible Field

By Catherine Elwes

ARTICLE

I never thought that one day I’d have to pin my hopes on Hitler

By Elke De Wit

ARTICLE

BFI Films: A Remit for Cultural Diversity

By Jane Giles

REVIEW

Desire and Sexuality – Animating the Unconscious

By David Surman

ARTICLE

Now I Know Why I Did It!

By Alan Fountain

ARTICLE

Rendered Invisible: the Silence of the Critics

By Ruth Lingford

INTERVIEW

For Cannes or Abidjan?

By Holly Aylett

REVIEW

The Poetry of Commitment

By Gareth Evans

OBITUARY

A Snail’s Trail in the Moonlight

By Mark Webber

ARTICLE

The Art of Showing Nothing

By Rosy Rockets

ARTICLE

Whose Side Are you on?

By Gaylene Gould

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Sanrizuka 3: The March of the Earth

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Why and for Whom Do We Film Today?

ESSAY

Trailer for Godard's Histoire(s) du Cinema

ESSAY

In the Perceptible Field

ARTICLE

I never thought that one day I’d have to pin my hopes on Hitler

ARTICLE

BFI Films: A Remit for Cultural Diversity

REVIEW

Desire and Sexuality – Animating the Unconscious

ARTICLE

Now I Know Why I Did It!

ARTICLE

Rendered Invisible: the Silence of the Critics

INTERVIEW

For Cannes or Abidjan?

REVIEW

The Poetry of Commitment

OBITUARY

A Snail’s Trail in the Moonlight

ARTICLE

The Art of Showing Nothing

ARTICLE

Whose Side Are you on?