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By Michael Eaton

ARTICLE

Raining Stones II: A View from Paris

By Philippe Pilard

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

ARTICLE

Two Views of Cannes: Virginia Heath, Goes to the Market

By Virginia Heath

ARTICLE

The Critic as Censor

By Julian Petley

ARTICLE

Gluttonous Anniversary

By Celluloid Liberation Front

ESSAY

The Empire’s New Clothes: Sally Potter’s RAGE

By Sophie Mayer

ARTICLE

I Like the FID and the FID Likes Me

By Celluloid Liberation Front

ARTICLE

I never thought that one day I’d have to pin my hopes on Hitler

By Elke De Wit

ARTICLE

From Darkness into Light: Policies for Audiovisual Development in Africa

By Rasmane Ouedraougu

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Raining Stones II: A View from Paris

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Why and for Whom Do We Film Today?

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Two Views of Cannes: Virginia Heath, Goes to the Market

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The Critic as Censor

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Gluttonous Anniversary

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The Empire’s New Clothes: Sally Potter’s RAGE

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I Like the FID and the FID Likes Me

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I never thought that one day I’d have to pin my hopes on Hitler

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From Darkness into Light: Policies for Audiovisual Development in Africa