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By Michael Eaton

ARTICLE

Raining Stones II: A View from Paris

By Philippe Pilard

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

ARTICLE

Two Views of Cannes: Virginia Heath, Goes to the Market

By Virginia Heath

ARTICLE

Vertigo Café: 'Screen Griots' African Cinema in London

By Michael Chanan

ESSAY

The Precarious Life of the Palestinian Image: Reflections in the Wake of Gaza

By Nick Denes

ESSAY

Blind Spot: Judy Price and Metaphors of Vision in Israel and Palestine

By Lucy Reynolds

ARTICLE

The Hours Is Not a Film

By John Bradburn

ARTICLE

Transitions: Cinema and Video Art from Georgia

By James Norton

REVIEW

Colourfield Cinema

By Poppy Sebag-Montefiore

ARTICLE

The Eye of Trust

By Almendra Maria Mcbride Perez

REVIEW

The Main Course

By the Celluloid Liberation Front

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