Archives

ARTICLE

The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

By Michael Chanan

ARTICLE

The History of Cinema and History in Cinema

By Chris Petit

ARTICLE

‘Amateur’ Auteurs

By Rob Dennis

REVIEW

So, Nu?: Questioning Jewish Autobiographical Documentary

By Sophie Mayer

MANIFESTO

The Filmmaker as Symbiont

By Manu Luksch and Mukul Patel

INTERVIEW

Let a Thousand Flowers Bloom

By Holly Aylett

ARTICLE

Light Illusions Artists and Cinema; Filmmakers and Galleries

By Felicity Sparrow

INTERVIEW

Documenting Nostalgia, Memory and Home

By Nancy Harrison and Lee Hill

REVIEW

Shorts... Cut

By Metin Alsanjak

ARTICLE

Gleaning the Future

By Chris Dercon

INTERVIEW

Bend it Like Bollywood

By Nasreen Munni Kabir

ARTICLE

In Spite of Co-Production: Surviving to Make Films in Lithuania

By Audrius Juzenas

ARTICLE

Breaking Boundaries, Expanding Horizons

By Rumbi Katedza

FILM

26/71 Zeichenfilm - Balzac Und Das Auge Gottes

Director: Kurt Kren

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ARTICLE

The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

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The History of Cinema and History in Cinema

ARTICLE

‘Amateur’ Auteurs

REVIEW

So, Nu?: Questioning Jewish Autobiographical Documentary

MANIFESTO

The Filmmaker as Symbiont

INTERVIEW

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Gleaning the Future

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ARTICLE

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Breaking Boundaries, Expanding Horizons

FILM

26/71 Zeichenfilm - Balzac Und Das Auge Gottes

MANIFESTO

Vision Machine: a Web of Stories, Networked Solidarities