Archives

By Simon Hartog and John Ellis

ARTICLE

Where New Dreams Are Drawn: For a Cinema of Interiority

By Adam Kossoff

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

REVIEW

Nothing Personal

By James Leahy and Marc Karlin

ARTICLE

Cinematic Rebellion

By Lucinda Henderson and Brian Robinson

ARTICLE

Feel the Power, Experience the Pleasure: Contemporary Tehran and its Visual Culture

By Vahid Valizadeh

ARTICLE

Free Cinema Edgware Road

By James Norton

ARTICLE

The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

By Michael Chanan

ARTICLE

Paulo Branco: Profile

By John Mount

POEM

The Moving Image

By Gareth Evans

ARTICLE

From across the Channel

By Philippe Carcassonne

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Where New Dreams Are Drawn: For a Cinema of Interiority

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Why and for Whom Do We Film Today?

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Nothing Personal

ARTICLE

Cinematic Rebellion

ARTICLE

Feel the Power, Experience the Pleasure: Contemporary Tehran and its Visual Culture

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Free Cinema Edgware Road

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The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

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Paulo Branco: Profile

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The Moving Image

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From across the Channel