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ARTICLE
The Liberated Film Club
By
Jonathan Rosenbaum
REVIEW
Pasolini and Sade: A Maleficent Obsession
By
Stephen Barber
Theorem
REVIEW
The Main Course
By
the Celluloid Liberation Front
The Colour of Pomegranates
ARTICLE
Image Picture Frame
By
Jon Jost, Patrick Keiller, Sam Lamche McMullen, John Maybury and Amie Siegel
ARTICLE
Driessen: Multiple Image and Audience Expectation
By
Ruth Lingford
Edge of Frame: Heavenly Bodies
ARTICLE
Mysterious Britain: Jane Arden, Jethro Tull and 1973
By
Sean Kaye-Smith
Strange Objects: Reflections on British Colonial Legacies
ARTICLE
On Earth as it is in the Heavens
By
James Norton
Every Man for Himself
ARTICLE
From Brit-Flicks to Shit-Flicks
By
Julien Petley
The Trial
ARTICLE
The White Horse, Seul Contre Tous and Notes on Meat as Metaphor
By
Jane Giles
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