Synopsis
Kren filmed a poster that showed a photo from the My Lai massacre – a central motif of the anti-Vietnam war movement. The handheld camera created a very unsteady picture and its content was difficult to discern, similar to the picture in
Schatzi. At the end of the film, Kren inserted a short recording of a landscape.
Kurt Kren: I filmed that from my window in Vienna. I had the impression that such things don’t happen only in My Lai, but in Vienna, too.