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ARTICLE
Against the Poverty of the World: Viktor Shklovsky and the Critical Mass
By
James Norton
ARTICLE
Desire in Action: The Cube Microplex and the Future of Cinema
By
Graeme Hogg
|
Chris Williams
REVIEW
So, Nu?: Questioning Jewish Autobiographical Documentary
By
Sophie Mayer
REVIEW
Pornocracy
By
Sophie Lewis
ESSAY
Divisions Upon a Ground
By
Dai Vaughan
ARTICLE
Platform Alterations: Vertigo Expands its Online Interventions
By
Anne Robinson
ARTICLE
The Eye of Trust
By
Almendra Maria Mcbride Perez
ARTICLE
Arab and African Cinema’s Uncertain Future
By
Kamran Rastegar
OBITUARY
A Movie and Much, Much More: Iconic Artist Bruce Conner Remembered
By
Jon Davies
MANIFESTO
The Filmmaker as Symbiont
By
Manu Luksch
|
Mukul Patel
ARTICLE
The Life of a Vampyr
By
David Rudkin
ARTICLE
The White Spirits: From Bolshevism to Belfast, a Work and Life in Progress
By
Daniel Edelstyn
ESSAY
The Cinema Effect
By
Patrick Ellis
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
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