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REVIEW

Pasolini and Sade: A Maleficent Obsession

By Stephen Barber
ARTICLE

The White Spirits: From Bolshevism to Belfast, a Work and Life in Progress

By Daniel Edelstyn
ESSAY

Moment by Moment by Moment: Reflections on Jonas Mekas’ 365 Films

By Tom Smith
ARTICLE

Holding Patterns and Long Tails: Benten Films and the Distribution of the Future

By Ben Slater
ESSAY

The Cinema Effect

By Patrick Ellis
ARTICLE

Conflict Resolutions: Alexander Sokurov, Alexandra and the Survival of the Human

By James Norton
ARTICLE

Three Exercises in Symmetry: Marcel Carné and Filmic Formalities

By Dai Vaughan
ARTICLE

The Ballerina Ballroom Cinema of Dreams

By Mark Cousins
REVIEW

From Russia with Love

By James Norton
ARTICLE

All my Eye and Aristotle: Editing European Films

By Roger Crittenden
ARTICLE

Reading the Darkness

By James Rose
INTERVIEW

Arctic Dreams: Asif Kapadia, Far North and the Possibilities of Cinema

By Gareth Evans
REVIEW

Desire and Sexuality – Animating the Unconscious

By David Surman
INTERVIEW

Attention: Benedek Fliegauf, Milky Way and a Cinema of Meditation

By John Bradburn
ARTICLE

Marine Court Rendezvous: Sketches in Space and Time

By Iain Sinclair
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