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OBITUARY
Tributes: Marguerite Duras
By
Jill Forbes
ARTICLE
The Mind's Eye: Chris Marker Level Five
By
Allan Francovich
ARTICLE
A Shrug of the Shoulders: Marcel L’Herbier’s L’Argent
By
Graeme Hobbs
ARTICLE
Hotel Diaries: John Smith Makes Room for Reflection
By
Ian Christie
ARTICLE
The Man from London: Notes after the Event
By
Dai Vaughan
ARTICLE
Writing as Magic in London in Its Summer: Iain Sinclair and the Crafting of Place
By
Kathy Acker
ARTICLE
The Dance Macabre of Tony Manero
By
Lee Hill
ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
ARTICLE
The Freefall Death of the Cultural Critic and Other Related Matters, or, the Art of Nonchalance
By
Chris Petit
ARTICLE
Against the Poverty of the World: Viktor Shklovsky and the Critical Mass
By
James Norton
ARTICLE
That Was the Mayday that Was: Photographing Resistance
By
Sukhdev Sandhu
REVIEW
Pasolini and Sade: A Maleficent Obsession
By
Stephen Barber
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
ARTICLE
Marine Court Rendezvous: Sketches in Space and Time
By
Iain Sinclair
INTERVIEW
A Passion for Images: Marc interviewed for BBC Radio 3
By
Patrick Wright
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