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ARTICLE
Gate
By
Jo Lanyon
ARTICLE
Getting it on
By
Ben Slater
INTERVIEW
Her Stories
By
Eileen Elsey
ESSAY
Simone Weil: Notes on a Timid Cinema
By
Anat Pick
ESSAY
The Opened Hand: Reflections on Artur Aristakisyan's Palms
By
Graeme Hobbs
ARTICLE
Still/Moving: Desire Paths in Dryden Goodwin's Flight
By
Gareth Evans
ARTICLE
Songs of Innocence and Experience
By
Gareth Evans
ARTICLE
Kiss Kiss Bang Bang: Elizabeth McAlpine's Adventures in Cinema
By
Sarah Wood
DOCUMENT
Barton Aerodrome: From a Work-in-Process
By
Nicholas Royle
ARTICLE
The Fragile Relations of Ecology
By
Janet Harbord
ARTICLE
In Spite of Co-Production: Surviving to Make Films in Lithuania
By
Audrius Juzenas
OBITUARY
We do everything for this art, but this art isn’t everything
By
George Clark
|
Redmond Entwistle
ARTICLE
Madness Contained: Werner Herzog’s Return to the ‘scene of the crime’
By
Brad Prager
ARTICLE
Neighbourhood Watching
By
Graham Hodge
ARTICLE
Sink or Swim – The Muddy Waters of Independent Distribution
By
Caroline Freeman
|
Kate Gerova
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