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ARTICLE

The Moon and the Sledgehammer

By Andrew Kötting
ARTICLE

The Saragossa Manuscript and The Recording Angel Ensemble

By Owen Armstrong
ARTICLE

Nothing is More Bourgeois than Being Afraid to Look Bourgeois

By Robert Chilcott
ARTICLE

The Third Mind of Christophe Honore

By Lee Hill
ARTICLE

Reeling: Is the British Film Institute at Risk?

By Michael Chanan
ARTICLE

Filming Gravel and Stones in Cambodia

By Edward Hofman
ARTICLE

Have You Seen the Stars Tonight?

By Adam Pugh
ARTICLE

Palestinian Cinema: An Example for the Region?

By Omar Al-Qattan
ARTICLE

Final Residues of the Image: On Marcus Reichert

By Stephen Barber
ARTICLE

What Lies on the Web REDUX

By Ben Slater
ARTICLE

A Filmosophy of the Dardennes

By Daniel Frampton
ESSAY

The Negation of Cinema: Some Brief Notes on Letterist Cinema 1950 - 1952

By Louis Benassi
ARTICLE

Escape to the Cinema [And Reconnect with Reality]

By Amy Hardie
ARTICLE

The Atrocity Exhibition: A Director's Statement

By Jonathan Weiss
ARTICLE

All Day and All Night

By Joe Lawlor | Christine Molloy
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