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ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami
|
Merzak Allouache
|
Gaston Kaboré
|
Nour-Eddine Sail
REVIEW
The Disappearance of Finbar II
By
Sean Cubitt
INTERVIEW
Pandaemonium: Interview with Michael Maziere
By
William Raban
ARTICLE
The Critic as Censor
By
Julian Petley
ARTICLE
The New Black
By
Karen Alexander
ARTICLE
Hotel Diaries: John Smith Makes Room for Reflection
By
Ian Christie
ARTICLE
Newsflash
SCRIPT
These Are The Times: Episodes from a Life of Thomas Paine
By
Trevor Griffiths
OBITUARY
When Faces Counted Most
By
Noah Isenberg
ARTICLE
In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema
By
Chris Petit
ESSAY
At Risk of Interment: WG Sebald in Terezin and Breendonk
By
Will Stone
ARTICLE
Love You to Death
By
Rosy Rockets
INTERVIEW
Conte de Fesses to Conte de Fées
By
James Norton
ARTICLE
London: Why Is It so Hard to Enjoy?
By
Mark Fisher
ARTICLE
I never thought that one day I’d have to pin my hopes on Hitler
By
Elke De Wit
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