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ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami
|
Merzak Allouache
|
Gaston Kaboré
|
Nour-Eddine Sail
ARTICLE
Carla's Song: Day 28 of Shoot
By
Paul Laverty
OBITUARY
Tributes: Tomas Gutierrez Alea
By
Julio Garcia Espinosa
|
Michael Chanan
ARTICLE
The Switchboard Operator
By
Colin McArthur
REVIEW
Paulo Antonio Paranagua, Mexican Cinema
By
Rob Rix
REVIEW
Bill Viola: Reasons for Knocking at an Empty House: Writings 1973-1994
By
Nicky Hamlin
ARTICLE
The Mind's Eye: Chris Marker Level Five
By
Allan Francovich
ESSAY
The Precarious Life of the Palestinian Image: Reflections in the Wake of Gaza
By
Nick Denes
ESSAY
At Risk of Interment: WG Sebald in Terezin and Breendonk
By
Will Stone
POEM
I Wanted
By
Roque Dalton
ARTICLE
Phonography and the Drift
By
Owen Armstrong
ARTICLE
Susan Meiselas
By
Marc Karlin
INTERVIEW
Love Is the Devil
By
John Maybury
|
Ben Gibson
ARTICLE
Genealogies of Film's Ruination: The Cinemas of Los Angeles' Broadway
By
Stephen Barber
OBITUARY
Youssef Chahine Remembered
By
Sheila Whitaker
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