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OBITUARY
Fragments for H: A Personal Tribute to Hrvoje Horvatic
By
Chris Darke
ARTICLE
A Very Public Situationist
By
Lee Hill
ARTICLE
Iranian Impromptu
By
Jack McNamara
ARTICLE
Making the Political Personal
By
Owen Armstrong
ARTICLE
Elf & Safety vs. Old World
By
Almendra Maria Mcbride Perez
EDITORIAL
Volume 4 - Issue 1 - Place and Purpose: The Moment of the Image
By
Gareth Evans
MANIFESTO
The Filmmaker as Symbiont
By
Manu Luksch
|
Mukul Patel
INTERVIEW
Darkness Visible
By
Jon Davies
REVIEW
Pasolini and Sade: A Maleficent Obsession
By
Stephen Barber
ARTICLE
The White Spirits: From Bolshevism to Belfast, a Work and Life in Progress
By
Daniel Edelstyn
ESSAY
Moment by Moment by Moment: Reflections on Jonas Mekas’ 365 Films
By
Tom Smith
ARTICLE
Holding Patterns and Long Tails: Benten Films and the Distribution of the Future
By
Ben Slater
ESSAY
The Cinema Effect
By
Patrick Ellis
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
REVIEW
From Russia with Love
By
James Norton
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