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ARTICLE
Making the Political Personal
By
Owen Armstrong
ARTICLE
The Life of a Vampyr
By
David Rudkin
INTERVIEW
Darkness Visible
By
Jon Davies
REVIEW
Pasolini and Sade: A Maleficent Obsession
By
Stephen Barber
ARTICLE
The White Spirits: From Bolshevism to Belfast, a Work and Life in Progress
By
Daniel Edelstyn
ESSAY
Moment by Moment by Moment: Reflections on Jonas Mekas’ 365 Films
By
Tom Smith
ARTICLE
Holding Patterns and Long Tails: Benten Films and the Distribution of the Future
By
Ben Slater
ESSAY
The Cinema Effect
By
Patrick Ellis
ARTICLE
Conflict Resolutions: Alexander Sokurov, Alexandra and the Survival of the Human
By
James Norton
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
ARTICLE
The State of Things: Transition in South African Cinema
By
Jeremy Nathan
REVIEW
The Main Course
By
the Celluloid Liberation Front
ESSAY
On a Street of Crocodiles: Channel 4 in an Age of Vision
By
Clare Kitson
REVIEW
Desire and Sexuality – Animating the Unconscious
By
David Surman
ARTICLE
Marine Court Rendezvous: Sketches in Space and Time
By
Iain Sinclair
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