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ARTICLE
Whither the Avant-Garde: The ICA Biennial
By
Chris Petit
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami
|
Merzak Allouache
|
Gaston Kaboré
|
Nour-Eddine Sail
REVIEW
The Disappearance of Finbar I
By
Joe Parry
REVIEW
The Disappearance of Finbar II
By
Sean Cubitt
ARTICLE
Artaud on the Marx Brothers
By
Antonin Artaud
REVIEW
Paulo Antonio Paranagua, Mexican Cinema
By
Rob Rix
REVIEW
Gallivant II
By
Margaret Dickinson
ARTICLE
Hotel Diaries: John Smith Makes Room for Reflection
By
Ian Christie
REVIEW
Betrayed by Rita Hayworth
By
James Norton
ARTICLE
I never thought that one day I’d have to pin my hopes on Hitler
By
Elke De Wit
ARTICLE
Anxious Visions
By
Keith Griffiths
ARTICLE
The Gang that Can't Shoot Straight
By
Brian Robinson
|
Lucinda Henderson
ARTICLE
Paulo Branco: Profile
By
John Mount
ARTICLE
For What We Are about to Receive
By
Graeme Hobbs
REVIEW
Plot in Cinematography: Victor Shklovsky, Literature and Cinematography
By
Victor Shklovsky
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