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ARTICLE
BFI Films: A Remit for Cultural Diversity
By
Jane Giles
ARTICLE
Filming in Hot Sun: Kenya, Kibera and the Power of the Image
By
Piotr Cieplak
REVIEW
The Animals Film: Telling it Like it Is
By
James Norton
MANIFESTO
The Filmmaker as Symbiont
By
Manu Luksch
|
Mukul Patel
ESSAY
Moment by Moment by Moment: Reflections on Jonas Mekas’ 365 Films
By
Tom Smith
ARTICLE
Holding Patterns and Long Tails: Benten Films and the Distribution of the Future
By
Ben Slater
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
ARTICLE
Moving Memories: Video / Film – Archival Traces
By
Nick Stewart
REVIEW
The Story of Film
By
Sukhdev Sandhu
ESSAY
Filming the ‘Unfilmable’: Thoughts on Shoah
By
Libby Saxton
ARTICLE
In Spite of Co-Production: Surviving to Make Films in Lithuania
By
Audrius Juzenas
ARTICLE
The Independent Film Parliament
By
Holly Aylett
ARTICLE
Film in Cornwall
By
Antal Kovacs
ARTICLE
First World Film
By
Mark Cousins
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