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ARTICLE
The Hours Is Not a Film
By
John Bradburn
ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
ARTICLE
Genealogies of Film's Ruination: The Cinemas of Los Angeles' Broadway
By
Stephen Barber
ARTICLE
BFI Films: A Remit for Cultural Diversity
By
Jane Giles
ARTICLE
Filming in Hot Sun: Kenya, Kibera and the Power of the Image
By
Piotr Cieplak
REVIEW
The Animals Film: Telling it Like it Is
By
James Norton
MANIFESTO
The Filmmaker as Symbiont
By
Manu Luksch
|
Mukul Patel
ESSAY
Moment by Moment by Moment: Reflections on Jonas Mekas’ 365 Films
By
Tom Smith
ARTICLE
Holding Patterns and Long Tails: Benten Films and the Distribution of the Future
By
Ben Slater
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
ARTICLE
Moving Memories: Video / Film – Archival Traces
By
Nick Stewart
REVIEW
The Story of Film
By
Sukhdev Sandhu
ESSAY
Filming the ‘Unfilmable’: Thoughts on Shoah
By
Libby Saxton
ARTICLE
In Spite of Co-Production: Surviving to Make Films in Lithuania
By
Audrius Juzenas
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