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MANIFESTO
The Filmmaker as Symbiont
By
Manu Luksch
|
Mukul Patel
ARTICLE
The White Spirits: From Bolshevism to Belfast, a Work and Life in Progress
By
Daniel Edelstyn
ESSAY
Moment by Moment by Moment: Reflections on Jonas Mekas’ 365 Films
By
Tom Smith
ARTICLE
Holding Patterns and Long Tails: Benten Films and the Distribution of the Future
By
Ben Slater
ARTICLE
Conflict Resolutions: Alexander Sokurov, Alexandra and the Survival of the Human
By
James Norton
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
ARTICLE
Crouching Tiger, Hidden Dragon
By
Nasreen Munni Kabir
|
Cathy Greenhalgh
|
Peter Culshaw
ARTICLE
From across the Channel
By
Philippe Carcassonne
INTERVIEW
Let a Thousand Flowers Bloom
By
Holly Aylett
ARTICLE
The State of Things: Transition in South African Cinema
By
Jeremy Nathan
INTERVIEW
Attention: Benedek Fliegauf, Milky Way and a Cinema of Meditation
By
John Bradburn
SCRIPT
Germany and England / England and Germany: Proposal for a Film, June 2008
By
Chris Petit
REVIEW
Cultural Imperialism or Vibrant Moving Image?
By
Anna Thew
ARTICLE
Image Picture Frame
By
Jon Jost
|
Patrick Keiller
|
Sam Lamche McMullen
|
John Maybury
|
Amie Siegel
ARTICLE
Documentaries for the Big Screen
By
Alex Woode
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