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ARTICLE
Filming in Hot Sun: Kenya, Kibera and the Power of the Image
By
Piotr Cieplak
ARTICLE
In a Lonely Place: Tony Grisoni’s Kingsland
By
Iain Sinclair
REVIEW
Plot in Cinematography: Victor Shklovsky, Literature and Cinematography
By
Victor Shklovsky
ARTICLE
Expanded Cinema
By
Duncan White
ARTICLE
Yellowface!
By
Rosy Rockets
ARTICLE
Beat It
By
Rosy Rockets
ARTICLE
You See the End Before the Beginning Has Ever Begun
By
Owen Armstrong
ARTICLE
Back Where We Come From...
By
James Leahy
ARTICLE
Making the Political Personal
By
Owen Armstrong
MANIFESTO
The Filmmaker as Symbiont
By
Manu Luksch
|
Mukul Patel
ARTICLE
The White Spirits: From Bolshevism to Belfast, a Work and Life in Progress
By
Daniel Edelstyn
ESSAY
Moment by Moment by Moment: Reflections on Jonas Mekas’ 365 Films
By
Tom Smith
ARTICLE
Holding Patterns and Long Tails: Benten Films and the Distribution of the Future
By
Ben Slater
ARTICLE
Conflict Resolutions: Alexander Sokurov, Alexandra and the Survival of the Human
By
James Norton
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
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