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DOCUMENT
Here Is Where we Meet
By
John Berger
ARTICLE
From Brit-Flicks to Shit-Flicks
By
Julien Petley
ARTICLE
Gleaning the Future
By
Chris Dercon
ARTICLE
The White Horse, Seul Contre Tous and Notes on Meat as Metaphor
By
Jane Giles
REVIEW
John Hill's British Cinema in the 1980s
By
Gill Henderson
ESSAY
Filming the ‘Unfilmable’: Thoughts on Shoah
By
Libby Saxton
INTERVIEW
The Mystery, as Always: Raúl Ruiz, Klimt and the Poetics of Cinema
By
James Norton
INTERVIEW
The Berlin Talent Campus: Playing in the Pregnant Oyster
By
Thessa Mooij
ARTICLE
Drive, He Said
By
Gareth Evans
ARTICLE
In Spite of Co-Production: Surviving to Make Films in Lithuania
By
Audrius Juzenas
ARTICLE
Madness Contained: Werner Herzog’s Return to the ‘scene of the crime’
By
Brad Prager
REVIEW
Andrew Kötting’s Gallivant
By
Gareth Evans
ARTICLE
Sink or Swim – The Muddy Waters of Independent Distribution
By
Caroline Freeman
|
Kate Gerova
ARTICLE
Anti-Journalism
By
Julian Petley
ARTICLE
Cinema Eden
By
Juan Goytisolo
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