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ESSAY
Simone Weil: Notes on a Timid Cinema
By
Anat Pick
ARTICLE
Shaun of the Dead: Witness Reports
By
Sophie Mayer
|
Lady Vervaine
ESSAY
The Opened Hand: Reflections on Artur Aristakisyan's Palms
By
Graeme Hobbs
ARTICLE
Notes on an Indulgence
By
Catherine Clinger
ARTICLE
Still/Moving: Desire Paths in Dryden Goodwin's Flight
By
Gareth Evans
INTERVIEW
Gardens in Autumn
By
Rob McCrae
ARTICLE
London Eyes
By
Stephen Barber
|
Jeremy Reed
DOCUMENT
Barton Aerodrome: From a Work-in-Process
By
Nicholas Royle
ARTICLE
The Wild East
By
Sian Glaessner
ARTICLE
Gravity and Grace
By
Gareth Evans
ARTICLE
The Fragile Relations of Ecology
By
Janet Harbord
REVIEW
The Poetry of Commitment
By
Gareth Evans
OBITUARY
We do everything for this art, but this art isn’t everything
By
George Clark
|
Redmond Entwistle
ARTICLE
Madness Contained: Werner Herzog’s Return to the ‘scene of the crime’
By
Brad Prager
ARTICLE
In the National Interest?: Questions of Independence in Indian Cinema
By
Gayatri Chatterjee
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