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ARTICLE
And this is Now: Reflection on Eight Months of the Lux Cinema
By
Helen de Witt
ARTICLE
In a Lonely Place: Tony Grisoni’s Kingsland
By
Iain Sinclair
ARTICLE
Desire in Action: The Cube Microplex and the Future of Cinema
By
Graeme Hogg
|
Chris Williams
ESSAY
Divisions Upon a Ground
By
Dai Vaughan
ARTICLE
Platform Alterations: Vertigo Expands its Online Interventions
By
Anne Robinson
ARTICLE
The State of Documentary
By
Michael Chanan
ARTICLE
Alfredo Garcia and Other Peckinpah Tales
By
Lee Hill
ARTICLE
You See the End Before the Beginning Has Ever Begun
By
Owen Armstrong
ARTICLE
Not Waving... Just Drowning! Vertigo, The Bastards and the Grandchildren of Marx & Coca-Cola
By
James Leahy
OBITUARY
Fragments for H: A Personal Tribute to Hrvoje Horvatic
By
Chris Darke
MANIFESTO
The Filmmaker as Symbiont
By
Manu Luksch
|
Mukul Patel
ARTICLE
The Life of a Vampyr
By
David Rudkin
REVIEW
Pasolini and Sade: A Maleficent Obsession
By
Stephen Barber
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
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