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ESSAY
Blind Spot: Judy Price and Metaphors of Vision in Israel and Palestine
By
Lucy Reynolds
ARTICLE
There Are no Lions in the Scottish Highlands
By
John Riley
INTERVIEW
Conte de Fesses to Conte de Fées
By
James Norton
QUESTION AND ANSWER
Altman Took Me Gambling
By
Robert Chilcott
ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
ARTICLE
Writing Red Riding
By
Tony Grisoni
ARTICLE
The History of Cinema and History in Cinema
By
Chris Petit
ARTICLE
Don't Try this at Home: Tarantino
By
Ian Penman
ARTICLE
‘Amateur’ Auteurs
By
Rob Dennis
ESSAY
On the Quays’ Side: The Comb (from The Museums of Sleep)
By
Claire Kitson
ARTICLE
When Signs Come Home to Roost: Dan Geva’s Description of a Memory
By
Catherine Lupton
MANIFESTO
The Double {+} Anchor: Notes Towards a Common Cause
By
Jem Cohen
POEM
The Moving Image
By
Gareth Evans
ARTICLE
Arab and African Cinema’s Uncertain Future
By
Kamran Rastegar
ARTICLE
The White Spirits: From Bolshevism to Belfast, a Work and Life in Progress
By
Daniel Edelstyn
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