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ARTICLE
Back Where We Come From...
By
James Leahy
ARTICLE
A Very Public Situationist
By
Lee Hill
ARTICLE
Iranian Impromptu
By
Jack McNamara
ARTICLE
Making the Political Personal
By
Owen Armstrong
ARTICLE
Elf & Safety vs. Old World
By
Almendra Maria Mcbride Perez
REVIEW
The Headless Woman
By
David Sin
INTERVIEW
Darkness Visible
By
Jon Davies
REVIEW
Pasolini and Sade: A Maleficent Obsession
By
Stephen Barber
ESSAY
Moment by Moment by Moment: Reflections on Jonas Mekas’ 365 Films
By
Tom Smith
ESSAY
The Cinema Effect
By
Patrick Ellis
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
ARTICLE
Reading the Darkness
By
James Rose
ARTICLE
The State of Things: Transition in South African Cinema
By
Jeremy Nathan
REVIEW
The Main Course
By
the Celluloid Liberation Front
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