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ARTICLE
Making the Political Personal
By
Owen Armstrong
ARTICLE
Elf & Safety vs. Old World
By
Almendra Maria Mcbride Perez
ARTICLE
The White Spirits: From Bolshevism to Belfast, a Work and Life in Progress
By
Daniel Edelstyn
ESSAY
Moment by Moment by Moment: Reflections on Jonas Mekas’ 365 Films
By
Tom Smith
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
ARTICLE
Crouching Tiger, Hidden Dragon
By
Nasreen Munni Kabir
|
Cathy Greenhalgh
|
Peter Culshaw
INTERVIEW
Close Up on a Field without Definition
By
David Curtis
|
Gary Thomas
|
William Raban
ARTICLE
The State of Things: Transition in South African Cinema
By
Jeremy Nathan
ESSAY
On a Street of Crocodiles: Channel 4 in an Age of Vision
By
Clare Kitson
INTERVIEW
Arctic Dreams: Asif Kapadia, Far North and the Possibilities of Cinema
By
Gareth Evans
INTERVIEW
Attention: Benedek Fliegauf, Milky Way and a Cinema of Meditation
By
John Bradburn
REVIEW
Cultural Imperialism or Vibrant Moving Image?
By
Anna Thew
ARTICLE
Image Picture Frame
By
Jon Jost
|
Patrick Keiller
|
Sam Lamche McMullen
|
John Maybury
|
Amie Siegel
ARTICLE
All in the Script? Then Why Make the Movie!
By
James Leahy
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