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REVIEW
Paulo Antonio Paranagua, Mexican Cinema
By
Rob Rix
INTERVIEW
God Exists in Cinema, and Nowhere Else
By
John Bradburn
ARTICLE
Save our Cinema
By
Robert Rusk
ARTICLE
The Hours Is Not a Film
By
John Bradburn
ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
ARTICLE
Why the Documentary Cinema?
By
Henri Storck
ARTICLE
The History of Cinema and History in Cinema
By
Chris Petit
REVIEW
Plot in Cinematography: Victor Shklovsky, Literature and Cinematography
By
Victor Shklovsky
ARTICLE
Arab and African Cinema’s Uncertain Future
By
Kamran Rastegar
ARTICLE
The Ballerina Ballroom Cinema of Dreams
By
Mark Cousins
ARTICLE
Moving Memories: Video / Film – Archival Traces
By
Nick Stewart
REVIEW
Eye Candy or New Indie Cinema?
By
Holly Aylett
REVIEW
Build it and they Will Film
By
Nilesh Patel
REVIEW
The Story of Film
By
Sukhdev Sandhu
ESSAY
Simone Weil: Notes on a Timid Cinema
By
Anat Pick
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