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ARTICLE
Bad Cuts Are Sexy
By
Robert Hargreaves
ESSAY
The Double Morality of Cinema
By
Julio Garcia Espinosa
ARTICLE
The Commission: Third Instalment of a Short Story
By
Hugh Brody
ESSAY
Trailer for Godard's Histoire(s) du Cinema
By
Jonathan Rosenbaum
QUESTION AND ANSWER
Altman Took Me Gambling
By
Robert Chilcott
ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
ARTICLE
Writing Red Riding
By
Tony Grisoni
ARTICLE
‘Amateur’ Auteurs
By
Rob Dennis
MANIFESTO
The Double {+} Anchor: Notes Towards a Common Cause
By
Jem Cohen
ARTICLE
Arab and African Cinema’s Uncertain Future
By
Kamran Rastegar
ARTICLE
On Civil Defence and the Staging of Modern Politics
By
Patrick Wright
SCRIPT
Cogels-Osylei
By
Nicholas Royle
ESSAY
Unbearable Lightness of a Moment: Impressions from Oberhausen and Beyond
By
Tereza Stehlíková
ARTICLE
Celluloid Singapore
By
Ben Slater
ESSAY
Simone Weil: Notes on a Timid Cinema
By
Anat Pick
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