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ARTICLE

When Signs Come Home to Roost: Dan Geva’s Description of a Memory

By Catherine Lupton
REVIEW

Plot in Cinematography: Victor Shklovsky, Literature and Cinematography

By Victor Shklovsky
REVIEW

In Pursuit of Treasure Island: Raul Ruiz is on the Trail of a Classic

By James Norton
REVIEW

The Animals Film: Telling it Like it Is

By James Norton
ARTICLE

The Man from London

By John Bradburn
ARTICLE

Arab and African Cinema’s Uncertain Future

By Kamran Rastegar
ARTICLE

Belle Toujours

By James Norton
REVIEW

The Headless Woman

By David Sin
MANIFESTO

The Filmmaker as Symbiont

By Manu Luksch | Mukul Patel
ARTICLE

The Life of a Vampyr

By David Rudkin
ARTICLE

The White Spirits: From Bolshevism to Belfast, a Work and Life in Progress

By Daniel Edelstyn
ARTICLE

Three Exercises in Symmetry: Marcel Carné and Filmic Formalities

By Dai Vaughan
ARTICLE

Crouching Tiger, Hidden Dragon

By Nasreen Munni Kabir | Cathy Greenhalgh | Peter Culshaw
ARTICLE

Reading the Darkness

By James Rose
INTERVIEW

Science and its Signs

By James Leahy
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