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ARTICLE
When Signs Come Home to Roost: Dan Geva’s Description of a Memory
By
Catherine Lupton
REVIEW
Plot in Cinematography: Victor Shklovsky, Literature and Cinematography
By
Victor Shklovsky
REVIEW
In Pursuit of Treasure Island: Raul Ruiz is on the Trail of a Classic
By
James Norton
REVIEW
The Animals Film: Telling it Like it Is
By
James Norton
ARTICLE
The Man from London
By
John Bradburn
ARTICLE
Arab and African Cinema’s Uncertain Future
By
Kamran Rastegar
ARTICLE
Belle Toujours
By
James Norton
REVIEW
The Headless Woman
By
David Sin
MANIFESTO
The Filmmaker as Symbiont
By
Manu Luksch
|
Mukul Patel
ARTICLE
The Life of a Vampyr
By
David Rudkin
ARTICLE
The White Spirits: From Bolshevism to Belfast, a Work and Life in Progress
By
Daniel Edelstyn
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
ARTICLE
Crouching Tiger, Hidden Dragon
By
Nasreen Munni Kabir
|
Cathy Greenhalgh
|
Peter Culshaw
ARTICLE
Reading the Darkness
By
James Rose
INTERVIEW
Science and its Signs
By
James Leahy
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