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ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami | Merzak Allouache | Gaston Kaboré | Nour-Eddine Sail
ARTICLE

The Switchboard Operator

By Colin McArthur
ARTICLE

Vertigo Café: Jon Jost and ‘Dokumenta’

By WR | MD
EDITORIAL

Volume 1 - Issue 7 - Editorial

ARTICLE

Joined-up Reading: The Problem of Subtitles

By Jane Giles
LETTER

A Word in your Ear, Minister...

By Julian Petley
OBITUARY

Tribute: Tony Kirkhope

By Marc Karlin
ESSAY

The Precarious Life of the Palestinian Image: Reflections in the Wake of Gaza

By Nick Denes
ARTICLE

In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema

By Chris Petit
MANIFESTO

Kino Korrespondence

By Ken McMullen
ESSAY

Blind Spot: Judy Price and Metaphors of Vision in Israel and Palestine

By Lucy Reynolds
ARTICLE

The Hours Is Not a Film

By John Bradburn
ESSAY

Broken Trust of the Image

By Dai Vaughan
QUESTION AND ANSWER

Altman Took Me Gambling

By Robert Chilcott
ARTICLE

London: Why Is It so Hard to Enjoy?

By Mark Fisher
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